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Belief and Philosophy Blog Educators Reading & Writing Self-help Teachers Woman Warrior Woman. Warrior. Writer.

Woman. Warrior. Writer. Sang Kil

I am excited to announce that October’s Woman Warrior is Sang Kil, a professor in “Justice” Studies at San Jose State University.  She chairs her faculty union’s Anti-Racism, Social Justice Transformation group and fights to defund/abolish campus police as well as the racism, sexism and other systemic social injustices at SJSU.

How did you come to author your life?

I have been a fighter for social justice ever since I was young and my parents attempted to teach me anti-blackness living outside of D.C. In challenging my parent’s immigrant racism, I have also learned to include intersectionality in my analysis as I identify as queer women of color with a hidden disability.  Both my writing and my activism reflect my lifelong commitment to social justice. My new book is in progress and is tentatively titled, ‘Reporting from the Whites of their Eyes: How Neoliberalism as White Supremacy Promotes Racism in the News Coverage “All Lives Matter”, Trump’s “Border Wall” and “Muslim Travel Ban.”’ 

Follow Sang Kil at https://www.facebook.com/sanghea.kil/

 

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Belief and Philosophy Blog Educators Hawai'i Self-help Woman. Warrior. Writer.

Hawai’i: Family

I’m starting to learn how to play Chang-gi/Jang-gi or Korean chess, or what some may call Chinese chess. I’m doing this, so that Dad and I can have some activity together. The Kid and Dad played 5-in-a-row. Dad can beat The Kid at this game. He’s also good at chess. He told me this is how he spent part of the Korean War with his brother and cousin, hiding in the attic to avoid being drafted as a young teenager, the three of them playing chess.

I first learned to play chess in the third, maybe fourth grade. A friend taught me and failed to tell me that losing the pawn was not as bad as losing a rook and she easily won for several rounds. I developed an interest in playing chess, enough to have Dad come home from a business trip with a small magnetic chess set. I still have it. He learned Western chess; we played together. My ambition became to beat him.

I played other Korean boys in Iowa, most distinctly one who won against me with a series of memorized moves. I was in awe. I asked him how he learned chess, and he showed me a chess book. I went to the mall, ordered the same book, Dear Reader, I still have it, LOL. I studied it, and then memorized the moves. I got better. I kept playing. I didn’t ever play the boy again, but I ended up challenging Dad to chess and beating him.

I beat him once, but obviously, he was the person I wanted to win, as I didn’t play much after that match. Dad laughed. I had taught him now to play Western chess, and he had always beaten me up to that point. Looking back, I know he had let me win, played a bit casually, but no matter. I felt like it, and he admitted it: I had won.

So much of my identity throughout my life was tied to being my father’s daughter. The daughter of a scholar and research scientist and doctor. The daughter of someone who had survived the Korean War, who had won the nation’s top scholarship to come to the West, who had a PhD and MD by the time he was 27. He headed a research lab. He was the only person of color with his field’s medical association. He was a colonel in the Army. He published over 200 papers. He spoke multiple languages. He lived a big life. Mostly, he was unique, unabashedly exhausting, often temperamental, humorous, brilliant, and fiercely loyal. It was under this shadow that I lived and tried to measure myself and my accomplishments, and of course, I always came up short. I still do. The complications of his existence were exacerbated by language challenges and his struggles with the truth of race in the US. Dad’s journey was long. Difficult. In almost every sense, it was my mother who made his navigation in the US possible (more on Mom in my next post!).

Dad was the one who had always drilled into my brain that I had to have more, be more, accomplish more, to be treated with half the respect, as he said, because I was Korean, because I was Asian, because I was female. This was the lesson that my father kept repeating, and this was the lesson that nearly broke me, or perhaps did. (I’m since rather patched together on my merry way…)

I particularly remember these ideas when at boarding school. I would not buckle. No. I would not. Because I was not a quitter. I was the daughter of Dr. Tai-June Yoo and the white students who bullied, belittled, had no idea what I did to reinvent. It wasn’t me who was on the line. It was my race. It was my ethnicity. It was my gender. I would not let anyone down. Ever! Tough times. I got sick of living up to everything–and as one does, it led to completely giving up that type of structural existence. Too exhausting. Too narrow. It did not fit. Even if that meant disappointing Dad.

It took me decades for me to see that there are truths to how we learn and function in a nation and that our families messages are to be interpreted according to who we are individually. We can’t be everything to everyone all the time. What we can be however is this–people who slow down and play a game chess now and then, people who try to learn something new, people who try to understand that our own paths are informed by others, but are our own paths full of foibles, mistakes, joys, and unexpected happenings.

Stay tuned.

Maybe one day I’ll beat dad at Korean chess.

Miracles do happen.

 

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Educators Hawai'i Parenting Teachers

Hawai’i: Beyond Van Gogh

This was a fantastic interpretation of Van Gogh’s life and work. I was thoroughly impressed by how it could engage so many people and inspire reflections about life and art. The Kid and the grandparents, my sister, we all enjoyed it. I’m thinking about how art can be used to galvanize discussion and how exclusivity is never the point of expression. The human questions of belonging and origin are crucial to all of us. Decades ago, I saw an exhibit of his work at the Met. This was an entirely different experience, but distilled the essence of the WHY of his work. Imaginative. Compelling.

I hope that we can see more exhibits here in Hawai’i that are accessible to all ages, and strongly believe that the people of Hawai’i can also export the art and expression that this geographic locale prompts. This is the mission of (THROB) The Hawai’i Review of Books; I am glad to be a part of this endeavor.

We face challenges wherever we live, but I am always grateful to be living here. There is a reminder here in every gesture, that we are temporal, that nature governs our lives, that beauty and good fortune is in our very existence.

 

 

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Educators Hawai'i Poetry Reading & Writing Teachers THROB

The Poetry and Song of Ishle Yi Park

I interviewed Ishle Yi Park, the first woman to become Poet Laureate of Queens for the Council of Korean Americans and for  THROB aka The Hawai’i Review of Books!

Park was a Na Hoku Nominee for Female Vocalist of the Year, Album of the Year, and Song of the Year in Hawai’i.

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Divorce Educators Reading & Writing Self-help

Write Your Divorce Story: Four Steps

There are four steps you need to take or at least strongly consider doing as you ready for divorce. Everyone is different, so understand that I am giving advice based on my personal experience and circumstances. I found there wasn’t much out there for women who were divorcing–unlike the wedding industry.

So here are my four steps:

  1. Legal representation: You need a lawyer, so interview them.
  2. Shared business, financial, and legal documents: Assess what you have shared together–everything from bank accounts to airlines miles and get handle on all joint holdings/assets.
  3. Counseling: Get counseling for yourself and/or your dependents and you may want to seek a counselor for both you and your soon-to-be-ex too about exiting.
  4. Start Writing: Journal and write your divorce story for your legal file. Remember to consult your lawyer about the submission of this document.
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Belief and Philosophy Educators Reading & Writing Self-help Teachers THROB

THROB: Let’s Start with Death

Dear Reader, I’m excited that a second letter from my column THE DOCTOR IS IN is up! The first one ‘Solo Writer’ explains my lens and philosophical outlook that guide my answers. THROB The Hawai’i Review of Books is a brand-new publication and I am honored to be a part of this effort.

If you want to ask a question about writing, literature, craft, process, teaching or creativity –contact me by filling out the form at drstephaniehan.com.